Mozart'S Rose: Exploring The Dark Country Of The Soul

From the peculiar angle of "dream", Mozart's Rose cuts into the fictional world of fiction, full of Psychedelic colors, and has the quality of fantasy novels. Wang Zhongwei, a genius biologist, invented a dream pill. He can quickly dream of eating, and experience the experiences that he longs for in a certain type of dream he chooses.

Dream pills quickly become popular fashion products and become an indispensable entertainment for the masses.

Wang Zhongwei became a dreamer and became an evil ally with another ambitious Che Wanwan.

In the rose of Mozart, Chen Shidi is not a realist who focuses on social reality. It is an observer who shows the inner imagination and dark side of a character. The whole novel is a surrealistic one. Dreams are the foothold of the novel's narration, and also the attachment of the characters' spirit, the condensation of passion and the meaning of life.

The novel tells more stories about the disillusionment of Wang Zhongwei's mind. In a sense, the people and scenes of the novel are props. The main character is the madness, suspicion and distortion of the characters.

If we say "dream pill" is a blow to the increasingly dull imagination of the masses, then the novel has the flavor of irony. The dream pellet becomes worldly happiness but rests on the blood and death itself. Here the author turns to the narration of human spiritual predicament and spiritual variation. As someone has pointed out, "the author reveals the multiplicity of human nature with unaffected strokes, and critique becomes the core theme of the whole book."

In the novel, Wang Zhongwei created a vivid character, who was ambitious, dreamy, pure, depressed and kidnapper, playing with his opponent.

Wang Zhongwei used his craziness to sacrifice his weakness and tried to grasp his life with "ambition and love".

In the double play of reality and dream, Wang Zhongwei prefers to the world of dreams. To him, reality is merely "turning to exile and darkness". Then Wang Zhongwei imaginary dreams can not be true. He has only a miniature, and he can please himself by his shadow.

Wang Zhongwei was trapped in his own loneliness, even though he kidnapped the beautiful girl Cui Ying, but out of emotional alienation and life boredom.

Wang Zhongwei tried to express the ambition of an ambitious man, and then he lived in this fantasy and sought for meaning.

When Wang Zhongwei used his dream pill of Mozart's rose to become a werewolf, he saw his ambition getting closer and closer to reality, because he had always believed that "the world belonged to a dreamer", even though he felt that "dreams are changeable purgatory".

Then he met with Love Elegy - because Che Wanwan, a woman he fell in love with, was not in his dream. He used Yates's poem to say, "it's not your fault, but you're not dreaming anymore"; when the evil behavior of the dream company was revealed, Wang Zhongwei felt the collapse of his dream, he turned the dream pill into a werewolf, hijacked Che Wanwan to jump on the cliff, and proved himself dead in "absolute love" with a vigorous action, and Che Wanwan finally betrayed him, all the crazy behavior became sad in a moment.

It can be said that the confusion and pain of Wang Zhongwei pformed into a kind of speculative power. From arrogance to suspicion and disillusionment, the novel narrated the spiritual world of the heretical character with slow and subtle rhythm, reflecting the complexity, strangely, confusion and innovation, and witnessed the absurdity of human beings themselves.

Chen Shidi, talking about the "extreme narrative" of the novel, wrote: I always feel that the novel should gallop the grotesque, dangerous elements, crazy ideas, simple purity, to reach the rich and free land.

The aesthetic principle of extreme narration emphasizes the beauty of imagination, injecting the tragic and speculative style, and creating a fictitious world of space-time alternation and multiple perspectives with elegant and detailed narration. It travels through the space of dreams, reality, Internet, fantasy and memory, interlocking various elements and characters, love and decadence, ambition and fate, human nature and animal nature, masochism and love, evil and innocence, images and thinking together, creating aesthetic harmony from the form of fragments, and turning a seemingly fictional novel into poetry, thus conveying the meaning of life related implication, showing the absurdity of the essence of the world. In Mozart's rose, Chen Shidi adheres to "

When I read "Rose of Mozart", I think of Rilke's poem: there is a great sense of dizziness in the center.

I deeply feel that "Mozart's Rose" is not realistic, but the insight into human nature is profound and has its own unique discovery of the complexity of human nature.

In a way, I would rather think of Mozart's rose as a dazzling speculative novel, expressing the extreme narrative and artistic imagination advocated by the author, thus working to explore the dark country of human soul.